So will your reaction to The Currency, Hirst’s just-completed art project and technological experiment. “The digital tokens were sold via a lottery system for $2,000.” Launched in July of last year, it produced 10,000 unique non-fungible tokens “that were each associated with corresponding artworks the British artist made in 2016,” as Artnet’s Caroline Goldstein writes. Hirst also laid down an unprecedented condition: he announced “that his collectors would have to make a choice between the physical artwork and its digital version, and set a one-year deadline - asking them, in effect, to vote for which had more lasting value.” For each buyer who chooses the original work, Hirst would assign its NFT to an inaccessible address, the closest thing to destroying it. And for each buyer who chooses the NFT, Hirst would throw the paper version onto a bonfire.

The final numbers, as Hirst tweeted out at the end of last month, came to “5,149 physicals and 4,851 NFTs (meaning I will have to burn 4,851 corresponding physical Tenders).” Hirst also retained 1,000 copies for himself. “In the beginning I had thought I would definitely choose all physical,” Hirst explains. “Then I thought half-half and then I felt I had to keep all my 1,000 as NFTs and then all paper again and round and round I’ve gone, head in a spin.” In the end he went wholly digital, having decided that “I need to show my 100 percent support and confidence in the NFT world (even though it means I will have to destroy the corresponding 1000 physical artworks).” Perhaps this was a victory of Hirst’s neophilia, but then, those instincts have served him well before: few living artists have managed to draw such public fascination, enamored or hostile, for so many years straight - let alone such formidable sale prices, and not just for his stuffed shark. “I’ve never really understood money,” Hirst says to Stephen Fry in the video above. (You can watch an extended version of their conversation here.) “All these things - art, money, commerce - they’re all ethereal,” ultimately based on nothing more than “belief and trust.” Returning to the techniques of his early “spot paintings” - those he made himself before farming the task out to steadier-handed assistants - and minting the results into unique digital objects for sale was perhaps an attempt to get his head around the even less intuitive concept of the NFT. Naturist junior miss pageant contest series#.Naturist junior miss pageant contest archive#.Naturist junior miss pageant contest serial#.